Bio

ABOUT

James Clar’s work is an analysis and observation on the affects of media and technology on our perception of culture, nationality, and identity. His interest is in new technology and production processes, using them as a medium, while analyzing and critiquing their modifying affects on human behavior.

Technology allows for new forms of communication; however every system enhances certain types of communication while limiting and simplifying others. It’s these modulated effects and alterations to our perception that has become thematic focus to his works, whether dealing with socio-political issues or inward personal emotions.

Originally studying film and animation at New York University; at graduate school (NYU’s Interactive Telecommunication’s Program), he came to view televisions as light systems and their own medium. Instead of relying on this set system, he started to develop his own visual systems by controlling and manipulating light itself. These light works became a physical extension of the pixel beyond the screen, pixels that created three-dimensional sculptural form.

In 2007 James moved to Dubai and lived there till 2012. In the five years living there he became an active participant in the development of the arts and culture scene of the globalized city. While his early work dealt with analyzing how technology and media work, his experiences in the Middle East saw his focus shift to how technology and media affect. This included themes of nationalism, globalism, and popular culture in the age of mass information.

In 2012 James moved his studio back to New York where he currently lives and works.

 

PRESS ARTICLES

 

ARTIST RESIDENCY
2006 FedEx Institute of Technology & Lantana Projects, Memphis
2003 Eyebeam Atelier, New York

 

COMMISSIONS AND GRANTS
2013 Synesthetic Timeline, Fraport Headquaters, Frankfurt, Germany
2012 Unrestricted Monetary Award, Dave Bown Projects, USA
2011 Media Hype, Free Fall, Lighting Installations at The Pavilion Downtown Dubai, Dubai
2010 Soundwave / Order Chaos Order, Lobby Art Installations at Rolex Tower, Dubai
2010 Nineteen-Eighty Nine, Public Installation for Art Abu Dhabi 2010 and Traffic
2008 3D Display Cube v4, Core Research for Evolutional Science and Technology(CREST), University of Tsukuba Tokyo
2006 Inside / Out, Public Installation, FedEx Institute of Technology / Lantana Projects, Memphis

 

COLLECTIONS (selected)

Susan and Michael Hort, New York, USA
Irene and Alan Wurtzel, Washington DC, USA
Salsali Collection, Germany
Samawi Collection, Dubai
The Farook Collection, Dubai
Borusan Contemporary Art Collection, Istanbul, Turkey